Minx—Seventies inspired editorial design and creative direction with Pentagram for feminist comedy television series.

In the comedy series "Minx," an earnest young feminist joins forces with a low-rent publisher to create one of the world’s first erotic magazines for women, also called Minx. Produced by Lionsgate Television, the series debuted on HBO Max before moving to Starz for its second season. Pentagram designed the namesake fictional magazine and other ephemera seen throughout the show—method-acting the part by immersing ourselves in the world of the 70s feminist movement, publishing, LA and vintage erotica—and also evolved and refined the logo.
We worked closely on the project with “Minx” creator and executive producer Ellen Rapoport, executive producers Paul Feig and Ben Karlin, and the show’s in-house creative department. The setting may be unusual, but the series offers a funny behind-the-scenes look at everything that goes into the making of a magazine, with the feminist editor-in-chief Joyce Prigger (played by Ophelia Lovibond) struggling alongside publisher Doug Renetti (Jake Johnson) and the rest of his crew from the aptly named Bottom Dollar Publications. The show follows the birth and eventual success of Minx, and the designers thoughtfully evolved the look of the magazine as well, starting with relatively basic layouts for the first issue, then becoming more graphically sophisticated when the publication takes off—with detours into an overwrought holiday issue and Minx International edition that Joyce rejects.
The design was inspired by 70s publications like Eros, Viva, Nova, and Playgirl, with graphic devices like justified body text, ornamental frames and borders, and saturated colors plucked right from the 1970s. We developed copy including headlines, deks, pull quotes and taglines, and created the comps and in-process galleys seen as the Minx editorial team reviews layouts. Many of the period design cues are based in the show’s typography, which utilizes over 30 different fonts from the influential ITC library (now part of Monotype/Adobe) that evoke the funky, freewheeling late 1960s and early 1970s, including ITC Benguiat, Cooper Black and ITC American Typewriter. Our team also created specific spreads and print advertising that are highlighted as plot points, like the “Re: Joyce” editor’s letter, an infographic on birth control and the magazine’s first ad for a vibrator (“Watch out world, here she comes!”)
Along with the magazine, the Pentagram team worked on many of the other graphic elements seen in the show, contributing a cohesive visual personality that is comical and just a little over the top, in keeping with the cheeky tone of the series. These include the logo and covers for Minx’s rival Betsy, a faux Ms. magazine featuring famous feminists like Susan Sontag and Gloria Steinem; a bawdy fetish magazine from the Bottom Dollar portfolio called Feet Feet Feet; and the in-world ad campaigns. The team had the opportunity to pay tribute to the pinnacle of 1970s publication design, New York Magazine, with a fake cover that incorporated characters from the show.
Created at Pentagram under partner/creative director Emily Oberman with associate partner Laura Berglund and designers Elizabeth McMann, Renee Freiha, and Jase Hueser. Project management by Beatriz Congar and Dianne Kim. Documentation photography by Cody Guilfoyle.